Friday, 17 May 2013

A Visit to the Museum of Somerset



School’s Out!
It’s been a while since I posted.  The last term of law school was insanely hectic, but it’s all done now, and I have the next year (minus the time I need to spend preparing for and then writing the licensing exam) to focus on my writing.  I began that year with a trip to the UK to research and visit a variety of sites that I use or have used in my historical fiction.  Dad came along and will be acting as driver, guide, reader, and photographer.

A Visit to the Museum of Somerset (Thursday, May 16th, 2013
Today, my Uncle Charlie’s friend, Mike, arranged for us to have a tour of the Museum of Somerset in Taunton.  The museum building was originally built as a Norman castle, and was used in the twelfth century civil war (between Stephen and Matilda).  It was then used by the local bishops, and later by the courts of assize (travelling courts).  It’s been a museum since 1870, and recently underwent three years of restoration.  If you’re ever in Taunton, I would highly recommend a visit.  It has a lot of hands-on exhibits, a number of audio stations, and some tactile games for the kids.  Best of all, it’s completely free.

In the Great Hall
We met up with Mary, who works at the museum, and were led into what was originally the great hall of the castle.  This space was full of early artefacts, ranging from ammonites the size of platters, to the only complete skeleton of a Plesiosaur, an early deep-sea predator that Mary described as looking like the Loch Ness monster.  There were also a handful of large bones from a dinosaur that seems to be unique to Somerset; it’s called Camelotia because it was found near the presumed location of Avalon—I’m serious!

At the far end of the hall, just below the balcony so you could look down on it from upstairs, was a Roman mosaic, depicting the story of Dido and Aeneas.  What makes this mosaic so special is the fact that it is almost completely intact.  Mary explained that one of Rome’s finest artists would likely have been brought to Somerset to make this for a wealthy Roman landowner.
A Roman mosaic depicting the story of Dido and Aeneas (Museum of Somerset, Taunton).

Settlement in Somerset
Next, we made our way upstairs, passing an earn that was found under the museum during restorations (it contained 52,503 Roman coins!), and made our way along the gallery, looking at the things early man had left behind: flint arrowheads; axes; ceramic bowls and beads; a piece of jade, which suggests there was trade between Somerset and Europe; and, perhaps most impressively, a wooden axe.  This last was likely made for a child—as a toy so the boy could copy his father—and was preserved only because of the amount of peat in Somerset, which prevents wooden objects from rotting away. 

In the Roman gallery, Mary showed us the museum’s collection of Roman broaches.  These were made of everything from bronze to Welsh gold, which was a lovely dark gold colour.  Then she brought us to a case that contained the bodies of a woman and her dog.  The woman was about five foot four, and the dog she was buried with was about the size of a golden retriever.  Mary said she felt very close to this woman, because she spent two days with one of the curators helping to lay her out properly in the case (originally, the woman’s torso and legs were laid out facing in different directions).  Apparently, it wasn’t common for people to be buried with their pets, so this grave was a curiosity, besides being touching.

The English Civil War and Monmouth’s Rebellion
Next, we moved on to my favourite part of the tour: The English Civil War gallery and the Rebellion Room.  Taunton changed hands a number of times during the English Civil War, moving from Royalist hands to parliamentarian control and back again.  Lord Edward Wyndham, a local land owner, was involved in a number of negotiations between the Royalists and Parliamentarians, and even managed to negotiate the surrender after the Siege of Dunster Castle, which was concluded without bloodshed.  Later in the day, I was able to handle a number of his letters at the Somerset Heritage Centre and Archives (again, thanks to Mike).  The most interesting artefact in this room was—believe it or not—a skillet.  I’m not big on historic cookware, but what made this interesting was the inscription on the handle: “C U B true to the King.”  Seventeenth-century text-speak. ;)

The Rebellion Room is dedicated to artefacts from the Monmouth Rebellion of 1685 (also called the Pitchfork Rebellion, since most of the rebels were farmers).  The supporters of James Scott, Duke of Monmouth, the illegitimate son of Charles II, were tried and executed by Judge Jefferies in the Bloody Assizes of 1685.  The Rebellion Room is the cell in which they were held while awaiting their sentences.  Written on the walls are some of their stories—one man, who was accused of firing the shot that warned the king’s men, was blamed by the women who came to visit other prisoners, though he protested until the day he was hanged that he had not fired the shot; a surgeon who was visiting Taunton when James Scott was declared king joined the pretender and was later transported; and a man who did not fight but whom had been seen shaking the hand of the Duke of Monmouth was tried for treason and executed.  “Sedgemoor,” the first story in my collection Beyond Reason, is an account of the final battle of the Monmouth Rebellion from a Royalist perspective. 

My favourite artefact in the Rebellion Room was a Royalist sword.  It was the story behind the sword that made it interesting: a royalist soldier had made “unwanted advances” to a young girl’s mother, so the girl took the soldier’s sword and killed him.  The royalists deemed the man’s behaviour dishonourable, and let the girl keep the sword as a souvenir, despite the fact that her family supported Monmouth. 

Thanks to Mike and Mary for arranging today, and to Dad and Uncle Charlie for struggling through seventeenth-century manuscripts at the heritage centre—messy handwriting and pre-standardized spelling makes for awkward reading!  Dad and I head to South Wales tomorrow to visit family.  I’ll post more about the trip when internet access becomes available.  Check back soon!

Tuesday, 1 January 2013

What I Gained from Having Coffee with a Literary Agent

On Thursday, December 19, I travelled into Toronto to meet up with literary agent Ali MacDonald, whom I previously met at the “New York Comes to Niagara” Algonkian Conference in October 2011.  We spent some time catching up; Ali asked about the book I had been trying to sell at the conference (Beyond Reason), and when I told her that one of my beta readers had suggested the book might make a good young adult (YA) read, Ali perked right up and asked me to send it to her.

Ali is the children’s and YA agent at The Rights Factory.  She began her career as a literary agent as an intern at the same company and, in her own words, “just never left.”  Her job takes her around the world: to New York, London, Frankfurt, and Bologna for book festivals.  During our chat, she talked about The Rights Factory agents as a family, explaining that they actually rent the same apartment every year for the Frankfurt Book Fair, and now share an apartment in New York as well.  I can only imagine what it would be like to be a part of such a work community!

She also talked about other jobs in publishing.  For instance, as in the sporting industry, publishing has scouts.  These are people who work for publishers, read books, and report back to the publishers about which authors are going to be big.  Sounds like a dream job to me!  Alternatively, with my legal education almost complete, there might be opportunities in the contracts department of a publisher.  While big Canadian publishers don’t have in-house lawyers to handle the legal aspects of printing (but instead keep big firms on retainer), there are people in charge of contracts on a smaller scale.  There are also in-house lawyers in the US and UK, though (if I decided to go that route) I’d need to look into dual citizenships or work visas. 

Ali gave me a lot to think about as my graduation from law school looms (six months left!) and an articling position remains elusive.  Whatever happens in 2013, I’m going to keep writing.  I just hit “send” on an email to Ali, to which I’ve attached Beyond Reason.  Never having received a response from an agent regarding this book, I’m feeling a little like a parent shipping their first-born off to school: nervous, but excited, too.  I can’t wait to hear what she thinks!  I’ll let you know if and when I hear back!

All the best to everyone in this new year!  Here’s hoping it's full of good health, happiness, and great books!

Sunday, 25 November 2012

Checking In

It’s been a busy month, and the craziness shows no sign of letting up; exams are just around the corner.  I thought I should check in and let you all know how things are going: I have lots to report!

First, apologies are in order for still not having posted chapter six of Underground, when you read on and find out what else has been happening, I hope you’ll forgive me!  Hopefully I will have this posted before Christmas (though at this rate, who knows?)

Second, On October 31, I received word from the Canada’s IP Writing Challenge that a paper I had submitted last summer took first place in the student category.  “Where to Turn when Copyright Fails: Finding a Home for Folklore,” examines the difficulties inherent in trying to protect an oral culture with a law that demands the creations be “fixed” in some way, and argues that in the end the best solution is simply to let storytellers do what storytellers do best: protect folklore. 


Third, you may recall earlier this year that I posted about two of my short stories, “Your Eyes Only” and “Ancient Roots” appearing in The Lamp, a journal of creative writing for graduate and professional students.  On November 8, the Lamp, volume II, was launched at Queen’s University.  I attended the launch, and read an excerpt from "Your Eyes Only," which was very well-received.  The journal will be available for purchase at www.sgps.ca/thelamp if anyone is interested.  It's $10 Canadian, showcases a variety of work from a diverse group of authors, and would make a great Christmas present ;)

 Fourth, I heard back from the agent I spoke with last year at the Algonkian conference (the one who wanted to meet up and talk about a career in agenting), and I’m trying to arrange to get together over the Christmas holidays.  I’m very excited, and will definitely let you know how it goes.

Fifth, my ISP (individual study project) for my final year of law is well underway, and I’m looking forward to handing in the next section just before Christmas—and then enjoying a break with time to work on my novels—Underground (of course), Pencerdd (a prequel to The Harper’s Word), and The Harper’s Word (which is now in its sixth round of edits and going great)!

Finally, on Friday, I received an email from the Canadian Intellectual Property Review (CIPR), informing me that “Where to Turn when Copyright Fails: Finding a Home for Folklore,” will be appearing in the June 2013 issue of the journal.

That’s it for now J  I’d best get back to studying for exams—they’re coming up fast!  Wish me luck.  I’ll post again soon.

Saturday, 13 October 2012

Updates All Around!


Two weeks ago, I had the opportunity to sit down with Craig Pyette, a Senior Editor at Knopf Canada (Randomhouse). Craig reviewed the first twenty pages of my short story collection, Beyond Reason, and provided feedback on it.  He mentioned some things that other editors who have read the book never noticed; for example, Craig suggested that the two main characters in the first story, being soldiers, should be grimmer than they currently are.  He also offered some grammatical suggestions on things I thought I’d fixed.  For example: “’Yes, of course,’ Gideon smiled”—it’s impossible to “smile a sentence.”  Aside from these two points, he questioned my research methods and the facts of the time period (seventeenth century), and was very interested in the information I had managed to unearth and include.  Craig praised my research and said that it made the writing richer and more believable.

 

Unfortunately, though, I’m beginning to feel that these one-on-ones (at least for Beyond Reason) are reaching a point where the only suggestions editors can offer are personal preferences, rather than actual constructive criticism.  I’m hesitant to make changes based on these comments, because agents or other editors might have their own vision of the text that conflicts with those changes.  I think my best bet at this point is to wait and see what the agent who currently has the first story (Sam Hiyate of The Rights Factory, who requested the first story at the Algonkian Conference I attended last year) has to say.  I recently received an email from him apologizing for not yet getting to my work, and encouraging me to keep writing in the meantime. 

 

As if I could stop writing! ;)  Between working for the Canadian Labour and Employment Law Journal, applying for a job as a student news writer, looking for articling positions, and trying to keep up with classwork, I’ve started the fourth round of edits on The Harper’s Word, and begun work on a prequel tentatively titled Pencerdd.  This new book has sent me looking for research material on everything from druidic rituals, to tracks up Mt. Snowdon (Thanks to Colin Antwis for his awesome tactile map of Snowdonia National Park!), to early medieval Iceland.  It promises to be an interesting write and, hopefully, an interesting read as well!

 

I haven’t forgotten Underground.  I spent a bit of time yesterday working on chapter six, and it’s very nearly finished.  I hope to have the first draft done this weekend.  After that, it’ll just be a matter of whether my usual editors have the time to skim through it.  Hopefully you will see “Too Hasty” before too long!  Check back soon for more details!

 

To learn more about any of the stories mentioned in this post, check out www.cmgbooks.com/3.html.

Wednesday, 19 September 2012

Long Time No Blog: Updates All Round


So, it’s been a while since I posted anything new.  I forgot how hectic the beginning of the school year can be, and this year’s start-up was complicated by the search for articling positions.  

 

An articling position is to law students what a residency is to medical students.  In order to practice law, we must complete 10 months of articling following the completion of our JD or LLB degrees.  These placements aren’t arranged by the school; we have to find them ourselves.  With the economy as it is, articling positions—especially for people like me who want to stay in a small town—aren’t as commonplace as they used to be.  Although I haven’t found a position yet, and will continue to be looking as the school year progresses, I’ve decided not to get too stressed out about it.  The worst thing that can happen is I get a year off to work exclusively on my writing … which actually wouldn’t be all that bad! ;)

 

Speaking of writing: in ten days, I will be meeting one-on-one with Craig Pyette, a senior editor at the Knopf Random Canada Publishing Group.  At this meeting, made possible by the Writers’ Community of Durham Region, Mr. Pyette will go over my query letter, synopsis, and the first twenty pages of Beyond Reason.  I’m very excited to see what he has to say, and will keep you posted.

 

Unfortunately, between prepping Beyond Reason, applying to articling positions, editing for the Canadian Labour and Employment Law Journal, and editing the Harper’s Word for the third time, Underground has been pushed to the back burner.  However, I have a few free days coming up due to class cancellations, and although I have to use some of that time to get caught up on my individual study project, I hope to finish up chapter 6 as well. 
 
Any suggestions on how to effectively split time between writing and work?  Snatching those ten minutes between class is semi-productive, but it isn't enough!  I'd love to hear your tips and tricks.