Friday, 17 May 2013

A Visit to the Museum of Somerset



School’s Out!
It’s been a while since I posted.  The last term of law school was insanely hectic, but it’s all done now, and I have the next year (minus the time I need to spend preparing for and then writing the licensing exam) to focus on my writing.  I began that year with a trip to the UK to research and visit a variety of sites that I use or have used in my historical fiction.  Dad came along and will be acting as driver, guide, reader, and photographer.

A Visit to the Museum of Somerset (Thursday, May 16th, 2013
Today, my Uncle Charlie’s friend, Mike, arranged for us to have a tour of the Museum of Somerset in Taunton.  The museum building was originally built as a Norman castle, and was used in the twelfth century civil war (between Stephen and Matilda).  It was then used by the local bishops, and later by the courts of assize (travelling courts).  It’s been a museum since 1870, and recently underwent three years of restoration.  If you’re ever in Taunton, I would highly recommend a visit.  It has a lot of hands-on exhibits, a number of audio stations, and some tactile games for the kids.  Best of all, it’s completely free.

In the Great Hall
We met up with Mary, who works at the museum, and were led into what was originally the great hall of the castle.  This space was full of early artefacts, ranging from ammonites the size of platters, to the only complete skeleton of a Plesiosaur, an early deep-sea predator that Mary described as looking like the Loch Ness monster.  There were also a handful of large bones from a dinosaur that seems to be unique to Somerset; it’s called Camelotia because it was found near the presumed location of Avalon—I’m serious!

At the far end of the hall, just below the balcony so you could look down on it from upstairs, was a Roman mosaic, depicting the story of Dido and Aeneas.  What makes this mosaic so special is the fact that it is almost completely intact.  Mary explained that one of Rome’s finest artists would likely have been brought to Somerset to make this for a wealthy Roman landowner.
A Roman mosaic depicting the story of Dido and Aeneas (Museum of Somerset, Taunton).

Settlement in Somerset
Next, we made our way upstairs, passing an earn that was found under the museum during restorations (it contained 52,503 Roman coins!), and made our way along the gallery, looking at the things early man had left behind: flint arrowheads; axes; ceramic bowls and beads; a piece of jade, which suggests there was trade between Somerset and Europe; and, perhaps most impressively, a wooden axe.  This last was likely made for a child—as a toy so the boy could copy his father—and was preserved only because of the amount of peat in Somerset, which prevents wooden objects from rotting away. 

In the Roman gallery, Mary showed us the museum’s collection of Roman broaches.  These were made of everything from bronze to Welsh gold, which was a lovely dark gold colour.  Then she brought us to a case that contained the bodies of a woman and her dog.  The woman was about five foot four, and the dog she was buried with was about the size of a golden retriever.  Mary said she felt very close to this woman, because she spent two days with one of the curators helping to lay her out properly in the case (originally, the woman’s torso and legs were laid out facing in different directions).  Apparently, it wasn’t common for people to be buried with their pets, so this grave was a curiosity, besides being touching.

The English Civil War and Monmouth’s Rebellion
Next, we moved on to my favourite part of the tour: The English Civil War gallery and the Rebellion Room.  Taunton changed hands a number of times during the English Civil War, moving from Royalist hands to parliamentarian control and back again.  Lord Edward Wyndham, a local land owner, was involved in a number of negotiations between the Royalists and Parliamentarians, and even managed to negotiate the surrender after the Siege of Dunster Castle, which was concluded without bloodshed.  Later in the day, I was able to handle a number of his letters at the Somerset Heritage Centre and Archives (again, thanks to Mike).  The most interesting artefact in this room was—believe it or not—a skillet.  I’m not big on historic cookware, but what made this interesting was the inscription on the handle: “C U B true to the King.”  Seventeenth-century text-speak. ;)

The Rebellion Room is dedicated to artefacts from the Monmouth Rebellion of 1685 (also called the Pitchfork Rebellion, since most of the rebels were farmers).  The supporters of James Scott, Duke of Monmouth, the illegitimate son of Charles II, were tried and executed by Judge Jefferies in the Bloody Assizes of 1685.  The Rebellion Room is the cell in which they were held while awaiting their sentences.  Written on the walls are some of their stories—one man, who was accused of firing the shot that warned the king’s men, was blamed by the women who came to visit other prisoners, though he protested until the day he was hanged that he had not fired the shot; a surgeon who was visiting Taunton when James Scott was declared king joined the pretender and was later transported; and a man who did not fight but whom had been seen shaking the hand of the Duke of Monmouth was tried for treason and executed.  “Sedgemoor,” the first story in my collection Beyond Reason, is an account of the final battle of the Monmouth Rebellion from a Royalist perspective. 

My favourite artefact in the Rebellion Room was a Royalist sword.  It was the story behind the sword that made it interesting: a royalist soldier had made “unwanted advances” to a young girl’s mother, so the girl took the soldier’s sword and killed him.  The royalists deemed the man’s behaviour dishonourable, and let the girl keep the sword as a souvenir, despite the fact that her family supported Monmouth. 

Thanks to Mike and Mary for arranging today, and to Dad and Uncle Charlie for struggling through seventeenth-century manuscripts at the heritage centre—messy handwriting and pre-standardized spelling makes for awkward reading!  Dad and I head to South Wales tomorrow to visit family.  I’ll post more about the trip when internet access becomes available.  Check back soon!

Tuesday, 1 January 2013

What I Gained from Having Coffee with a Literary Agent

On Thursday, December 19, I travelled into Toronto to meet up with literary agent Ali MacDonald, whom I previously met at the “New York Comes to Niagara” Algonkian Conference in October 2011.  We spent some time catching up; Ali asked about the book I had been trying to sell at the conference (Beyond Reason), and when I told her that one of my beta readers had suggested the book might make a good young adult (YA) read, Ali perked right up and asked me to send it to her.

Ali is the children’s and YA agent at The Rights Factory.  She began her career as a literary agent as an intern at the same company and, in her own words, “just never left.”  Her job takes her around the world: to New York, London, Frankfurt, and Bologna for book festivals.  During our chat, she talked about The Rights Factory agents as a family, explaining that they actually rent the same apartment every year for the Frankfurt Book Fair, and now share an apartment in New York as well.  I can only imagine what it would be like to be a part of such a work community!

She also talked about other jobs in publishing.  For instance, as in the sporting industry, publishing has scouts.  These are people who work for publishers, read books, and report back to the publishers about which authors are going to be big.  Sounds like a dream job to me!  Alternatively, with my legal education almost complete, there might be opportunities in the contracts department of a publisher.  While big Canadian publishers don’t have in-house lawyers to handle the legal aspects of printing (but instead keep big firms on retainer), there are people in charge of contracts on a smaller scale.  There are also in-house lawyers in the US and UK, though (if I decided to go that route) I’d need to look into dual citizenships or work visas. 

Ali gave me a lot to think about as my graduation from law school looms (six months left!) and an articling position remains elusive.  Whatever happens in 2013, I’m going to keep writing.  I just hit “send” on an email to Ali, to which I’ve attached Beyond Reason.  Never having received a response from an agent regarding this book, I’m feeling a little like a parent shipping their first-born off to school: nervous, but excited, too.  I can’t wait to hear what she thinks!  I’ll let you know if and when I hear back!

All the best to everyone in this new year!  Here’s hoping it's full of good health, happiness, and great books!

Sunday, 25 November 2012

Checking In

It’s been a busy month, and the craziness shows no sign of letting up; exams are just around the corner.  I thought I should check in and let you all know how things are going: I have lots to report!

First, apologies are in order for still not having posted chapter six of Underground, when you read on and find out what else has been happening, I hope you’ll forgive me!  Hopefully I will have this posted before Christmas (though at this rate, who knows?)

Second, On October 31, I received word from the Canada’s IP Writing Challenge that a paper I had submitted last summer took first place in the student category.  “Where to Turn when Copyright Fails: Finding a Home for Folklore,” examines the difficulties inherent in trying to protect an oral culture with a law that demands the creations be “fixed” in some way, and argues that in the end the best solution is simply to let storytellers do what storytellers do best: protect folklore. 


Third, you may recall earlier this year that I posted about two of my short stories, “Your Eyes Only” and “Ancient Roots” appearing in The Lamp, a journal of creative writing for graduate and professional students.  On November 8, the Lamp, volume II, was launched at Queen’s University.  I attended the launch, and read an excerpt from "Your Eyes Only," which was very well-received.  The journal will be available for purchase at www.sgps.ca/thelamp if anyone is interested.  It's $10 Canadian, showcases a variety of work from a diverse group of authors, and would make a great Christmas present ;)

 Fourth, I heard back from the agent I spoke with last year at the Algonkian conference (the one who wanted to meet up and talk about a career in agenting), and I’m trying to arrange to get together over the Christmas holidays.  I’m very excited, and will definitely let you know how it goes.

Fifth, my ISP (individual study project) for my final year of law is well underway, and I’m looking forward to handing in the next section just before Christmas—and then enjoying a break with time to work on my novels—Underground (of course), Pencerdd (a prequel to The Harper’s Word), and The Harper’s Word (which is now in its sixth round of edits and going great)!

Finally, on Friday, I received an email from the Canadian Intellectual Property Review (CIPR), informing me that “Where to Turn when Copyright Fails: Finding a Home for Folklore,” will be appearing in the June 2013 issue of the journal.

That’s it for now J  I’d best get back to studying for exams—they’re coming up fast!  Wish me luck.  I’ll post again soon.